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  • 2024 21st Learning and Technology Conference (L&T)

    Brahimi, Tayeb; Brahimi, Tayeb; College collaboration; Energy Lab; 0; 0; Electrical and Computer Engineering; 0; Sobaih, Mohammed (IEEE, 2024-01-15)
    The education landscape is undergoing a paradigm shift from a teacher-centric model, characterized by passive learning, to an active, student-centric approach. This paper explores innovative pedagogical approaches that harness the art of filmmaking to transform educational theories into engaging edutainment platforms, in alignment with Education for Sustainable Development (ESD) principles. The study uses a mixed-method research design to demonstrate how filmmaking can serve as an innovative assessment method, capturing students’ analytical and creative competencies. Incorporating narrative frameworks in classroom settings has yielded encouraging outcomes, notably enhancing student engagement, creativity, and problem-solving capabilities. This pedagogical approach cultivates a dynamic classroom atmosphere, encouraging students to explore global and cultural perspectives actively and thus shaping them into well-rounded global citizens ready to tackle challenges in line with the Sustainable Development Goals (SDGs). Our findings reveal that student participation in edutainment programs exhibits increased motivation and a deeper understanding of complex STEAM concepts, scriptwriting, storytelling, visual development, filmmaking techniques, and film-making genres, improving their capacity for critical thinking and ethical reasoning. Edutainment platforms, whether in animation form or live action, within a theoretical and practical education platform, have significant potential for STEAM education, where innovation, creativity, and a commitment to global sustainability are at the forefront.
  • Watching Ramadan Drama and Egyptians’ Preference for Video Streaming Services Over Traditional Television: A Survey Study

    Yousry, Mustafa; No Collaboration; NA; 0; 0; Cinematic Arts; 0; Yousry, Mustafa (Istanbul University, 2024-08-07)
    Every year throughout the holy month of Ramadan, Egyptians regularly watch television dramas. Viewership reaches its peak during Ramadan, and as a result, Ramadan drama is considered to have a great cultural and social impact on Egyptian society. Moreover, during Ramadan, video streaming services become more popular in Egypt and achieve greater success in terms of subscription rates. Therefore, this study focused on investigating the reasons why Egyptians prefer video streaming services over traditional television to watch Ramadan dramas and the impact of such services on their watching behaviors. An online questionnaire survey was circulated to a sample of Egyptian people, and 563 participants of different ages and backgrounds participated in the survey. The critical evaluation of the collected data showed how significantly the Egyptian people are affected by Ramadan drama and the extent to which it is an important part of their lives. The data also highlight that video streaming services offer many advantages over traditional television. Likewise, the study provided valuable insights into the changes occurring in Egyptians’ viewing behaviors. It was concluded that Egyptian viewers prefer video streaming services over traditional television when watching Ramadan dramas for many reasons.
  • Roy Andersson and the Lengthy-Long-Shot-Scene (LLSS) Technique of Filmmaking “An Analytical Descriptive Study”

    Yousry, Mustafa; No Collaboration; NA; 0; 0; Cinematic Arts; 0; Yousry, Mustafa (Ataturk University, 2024-09-27)
    Since cinema was transformed into a creation medium able to express the film director's vision and philosophy, rules for employing different shot sizes in presenting the story and exploring scenes components were founded. The long shot size had been merited with its ability to present facts and reality without interfering. It was used ever since to establish the location of every film scene, and only few filmmakers managed to creatively employ the long shot in the formulation of visual texts. One of those creative filmmakers is the Swedish director “Roy Andersson” with his Lengthy-Long-Shot-Scene (LLSS) cinematic technique, i.e. the technique of using only one single lengthy long shot in shooting the film scene… Through an analytical descriptive methodology, this study attempted to study Roy Andersson's unique Lengthy-Long-Shot-Scene (LLSS) technique of filmmaking, and looked at the ability of such technique in enriching the film language. Research results emphasized that we cannot limit the film industry and define it in a specific template! In cinema, there is a wide field for creativity that is not limited by borders, and there are multiple film methods, whether through regular well-established conventions or through new experimental methodologies like the (LLSS) style.
  • Chaos

    Ivaniceva, Marina; marina; labani, aya; Cinematic Arts
    a group of friends faces hilarious confusion when one of them misplaces her passport right before a planned trip. Their day of funny searching turns into a comedy of unexpected adventures.
  • Lost in Parallelism

    El Hachadi, Mahassine; Negm, Deema; Cinematic Arts
    A poetic social short film that is mainly based on the usage of metaphors allows the people to think and realize what they are doing in their lives.
  • The Golden Fish

    Inaniceva, Marina Dr; Saimaldeher, Meria; Cinematic Arts
    This animation capstone project proposes an approximate two and a half -minute fiction film about a story of a young-adult fisherman trying to achieve his goal of catching a golden fish but experiences obstacles on the way. The capstone project will go through pre-production, production, and post-production processes. The thesis of my capstone film will have three chapters; the first chapter will include an introduction, project description, background research, methodology, significance of the project, filmography and art style, and references. The second chapter will have the film logline, synopsis, treatment, script, character and environment design, storyboard/ animatic, animation, music and sound design, director's statement. The third chapter will include ( Pre production, Production, Post production).
  • Together Alone

    Ivancheva, Marina; Jarkas, Lama; Cinematic Arts
    This fiction capstone project proposes an approximate twenty- five minute fiction film about a story of a two young teenager girls trying to achieve a mission to leave the orphange and start a new life but the concequences isn’t always fair. The capstone project will undergo three distinct stages: pre-production, production, and post-production. Within my capstone film thesis, I will present three chapters that delve into the various aspects of the project. In the first chapter, I will begin with an introduction, providing an overview of the project while also delving into the project description. Additionally, I will include background research, outlining the context and foundations upon which the film is built. The methodology employed in the creation of the film will also be discussed, highlighting the approach taken to bring the project to fruition. Furthermore, the significance of the project will be explored, emphasizing its relevance and impact. To provide a comprehensive understanding, the filmography and art style, along with references, will be included in this chapter. Moving on to the second chapter, I will focus on key elements of the film's narrative and creative direction. The film logline will succinctly capture the essence of the story, while the synopsis will provide a more detailed overview. The treatment will further expand on the story, offering a glimpse into the plot, characters, and thematic elements. The script, which serves as the blueprint for the film, will be included as well, showcasing the dialogue and scene descriptions. Additionally, the chapter will feature insights into the character development and the music and sound design choices, as well as the director's statement, which offers the filmmaker's personal perspective and vision for the project. The third chapter will encompass the crucial stages of pre-production, production, and post-production. Pre-production will detail the planning, organization, and logistical aspects of the film, such as casting, location scouting, and scheduling. Production will cover the actual filming process, including the execution of scenes, capturing footage, and working with the cast and crew. Finally, post-production will delve into the editing, sound design, visual effects, and overall refinement of the film, culminating in the final product. Through these three chapters, I aim to provide a comprehensive and detailed exploration of the capstone project, highlighting its various components and processes involved in its creation.
  • Ordinary Dreams

    ivaniceva, Marina; Khalil, Tala; Cinematic Arts
    In a culturally rich setting, Lara, a 25-year-old woman with Arab heritage, finds herself entangled in the age-old traditions and expectations of her family. Engaged to Ahmed, a dedicated doctor from a more open-minded background, Lara's desires clash with her family's staunch adherence to customs. Despite her earnest attempts to meet Ahmed, Lara faces relentless resistance from her younger brother, Khaled, who, acting as her guardian, upholds traditional values. Their interactions reflect the collision between Lara's aspirations for independence and her family's protective stance. Desperate to bridge the gap between tradition and her yearning for autonomy, Lara risks her family's wrath by clandestinely meeting Ahmed. However, their secret rendezvous is violently interrupted when Khaled, driven by a sense of duty, confronts Ahmed, leading to a tragic altercation that lands Ahmed in the hospital. As emotions spiral out of control, Lara confronts her father, highlighting the detrimental impact of rigid customs. Her impassioned plea for freedom and autonomy reverberates through the hospital halls, challenging the family's deep-rooted beliefs. The story culminates in a poignant realization, as Lara's father grapples with the consequences of blindly adhering to tradition. It's a moment of reckoning that forces a reevaluation of the family's values and the cost of preserving long-standing customs at the expense of individual happiness
  • Signalakquisition, Vorverarbeitung und Merkmalsextraktionstechniken für biomedizinische Signale

    Subasi, Abdulhamit; Mian Qaisar, Saeed; College collaboration; Artificial Intelligence & Cyber Security Lab; 0; 0; Electrical and Computer Engineering; 0; Subasi, Abdulhamit (Springer, 2024-06)
    In German Language: Die Hauptzwecke der biomedizinischen Signale sind die Erkennung oder Diagnose von Krankheiten oder physiologischen Zuständen. Diese Signale werden auch in der biomedizinischen Forschung eingesetzt, um biologische Systeme zu modellieren und zu studieren. Das Ziel der Signalerfassung, Vorverarbeitung und Merkmalsextraktion besteht darin, eine genaue Realisierung des Modells oder die Erkennung entscheidender Elemente oder Fehlfunktionen menschlicher Körpersysteme mithilfe von Maschinenlernen oder Deep Learning zu erreichen. Darüber hinaus ermöglicht es die Vorhersage zukünftiger klinischer oder physiologischer Ereignisse mithilfe von Maschinenlernen und Deep Learning. Das erhaltene biologische Signal ist häufig eine komplexe Kombination aus Rauschen, Artefakten und Signal. Instrumente, die Sensoren, Verstärker, Filter und Analog-Digital-Wandler verwenden, können Artefakte erzeugen. Muskelaktivitäten können Störungen einführen und die Stromleitung und elektromagnetische Emissionen gelten als die primären Rauschquellen. Eine gute Auswahl von Signalverarbeitungs- und Verarbeitungstechniken kann als Folge der beabsichtigten Designspezifikationen getroffen werden. Dieses Kapitel zielt darauf ab, Wissenschaftler und Biomedizintechniker mit potenziellen Methoden zur Merkmalsextraktion vertraut zu machen und die Grundlagen der Signalerfassung und -verarbeitungskette zu verstehen.
  • Watching Ramadan Drama and Egyptian People Preference for Video Streaming Services Over Traditional Television "A Survey Study"

    Yousry, Mustafa; No Collaboration; NA; 0; 0; Cinematic Arts; 0; Yousry, Mustafa (2024)
    Every year, and throughout the holy month of Ramadan, Egyptian people regularly watch television drama. Viewership reaches its peak in Ramadan, and as a result, Ramadan drama is considered to have a great cultural and social impact on the Egyptian society. Moreover, during Ramadan video streaming services become more popular in Egypt and achieve greater success in terms of subscription rates. As such, this study focused on investigating the reasons why Egyptian people prefer video streaming services over traditional television for watching Ramadan drama, and the impact of that on their watching behaviors. An online questionnaire survey was circulated to a sample of Egyptian people, and 563 participants of different ages and backgrounds took part in it. The critical evaluation of the collected data showed how significantly Egyptian people are affected by Ramadan drama and the extent it figures an important part of their life. The data also highlighted that video streaming services have many advantages over traditional television. Likewise, the study provided valuable indications about the changes happened in Egyptian people viewing behaviors. It was concluded that Egyptian viewers prefer video streaming services over traditional television for watching Ramadan drama due to a plenty of different reasons.
  • Roy Andersson and the Lengthy-Long-Shot-Scene (LLSS) Technique of Filmmaking “An Analytical Descriptive Study”

    Yousry, Mustafa; No Collaboration; NA; 0; 0; Cinematic Arts; 0; Yousry, Mustafa (2024)
    Since cinema was transformed into a creation medium able to express the film director's vision and philosophy, rules for employing different shot sizes in presenting the story and exploring scenes components were founded. The long shot size had been merited with its ability to present facts and reality without interfering. It was used ever since to establish the location of every film scene, and only few filmmakers managed to creatively employ the long shot in the formulation of visual texts. One of those creative filmmakers is the Swedish director “Roy Andersson” with his Lengthy-Long-Shot-Scene (LLSS) cinematic technique, i.e. the technique of using only one single lengthy long shot in shooting the film scene… Through an analytical descriptive methodology, this study attempted to study Roy Andersson's unique Lengthy-Long-Shot-Scene (LLSS) technique of filmmaking, and looked at the ability of such technique in enriching the film language. Research results emphasized that we cannot limit the film industry and define it in a specific template! In cinema, there is a wide field for creativity that is not limited by borders, and there are multiple film methods, whether through regular well-established conventions or through new experimental methodologies like the (LLSS) style.
  • The Big Cage

    Ivaniceva, Marina; Alghamdi, Hawazen; Cinematic Arts
    A thesis of an animated film called "The Big Cage" spotting the light on a girl that tried to find the philosophy of life through a story book.
  • A Mother I Never Had

    Ivaniceva, Marina; Kayello, Yasmeen; Cinematic Arts
    This research aims to understand the effects of divorce, specifically infidelity, in the Middle East. The topic discussed aims to understand the correlation between long-term emotional damage among children who have witnessed or experienced a parent committing infidelity. This research also aims to understand the effects of divorce on young children as they grow up
  • Rock Paper Scissor

    Ghazala, Mohammed; GHAZALA; sultan, sereen; Cinematic Arts
  • Kartoffelo's Adventure

    sobaih, mohammed; Ghouth, Diala; Cinematic Arts
    The capstone project presents a 3-5 minutes children adventure short episode about a duck tackling his biggest fear on his first day of school. This project will includes the pre-production, production, and post-production phases. The capstone thesis is divided into three chapters. An introduction, project description, study problem, secondary and primary research, methodology, and references will all be included in the first chapter. The second chapter contains the longline, synopsis, treatment, script, concept art, and storyboard. The pre-production, production, and post-production phases are covered in the third and final chapter.
  • Xenophobia

    Ahmed, Niaz; ahmed, niaz; Abuzenadh, Malekah; Cinematic Arts
    This capstone project proposes an Augmented Reality experience as Transmedia project about the different world of forest at night. It will be presented in a visual platform with some sound effects. The user interacts with the visuals that is viewed on a big LED screen. The camera detects the position of the user. The first phase is to write the story and then to make it visualized through a suitable program. This capstone thesis contains three chapters. Chapter one is about the idea, background, and significance of the story. Chapter 2 includes longline, synopsis, character description, treatment, concept art and wire frame. Chapter 3 discuss the final production of the whole Augmented Reality experience by representing some visuals from the experience.
  • A novel automated tower graph based ECG signal classification method with hexadecimal local adaptive binary pattern and deep learning

    Subasi, Abdulhamit; Dogan, Sengul; Tuncer, Turker; External Collaboration; Artificial Intelligence & Cyber Security Lab; 0; 0; Computer Science; 0; Subasi, Abdulhamit (Springer Berlin Heidelberg, 2023-02-01)
    Electrocardiography (ECG) signal recognition is one of the popular research topics for machine learning. In this paper, a novel transformation called tower graph transformation is proposed to classify ECG signals with high accuracy rates. It employs a tower graph, which uses minimum, maximum and average pooling methods altogether to generate novel signals for the feature extraction. In order to extract meaningful features, we presented a novel one-dimensional hexadecimal pattern. To select distinctive and informative features, an iterative ReliefF and Neighborhood Component Analysis (NCA) based feature selection is utilized. By using these methods, a novel ECG signal classification approach is presented. In the preprocessing phase, tower graph-based pooling transformation is applied to each signal. The proposed one-dimensional hexadecimal adaptive pattern extracts 1536 features from each node of the tower graph. The extracted features are fused and 15,360 features are obtained and the most discriminative 142 features are selected by the ReliefF and iterative NCA (RFINCA) feature selection approach. These selected features are used as an input to the artificial neural network and deep neural network and 95.70% and 97.10% classification accuracy was obtained respectively. These results demonstrated the success of the proposed tower graph-based method.
  • The Effects of Film Illumination Hues – An Exploration Study

    Matbouly, Mustafa Mahmoud Yousry Ahmed; No Collaboration; NA; 0; 0; Cinematic Arts; 0; Matbouly, Mustafa Mahmoud Yousry Ahmed (2020)
    An examination of film illumination aptitude to influence audience's feelings and attitudes towards what is displayed in front of them of shots and scenes. Existing illumination procedures have been reviewed thoroughly, and two essential hue groups (i.e., warm and cold tones) have been distinguished and ought to be inspected to address the study questions and form its conclusions. To produce the required proof to this exploration work, a few analyses with a delegate sample of viewers took place. These tests proved the existence of straight associations between different hues of film illumination and the recognized look of film actors. Furthermore, some hues of illumination showed more ability compared to others in modifying the recognized look of film actors. The investigation wrapped up that viewers' opinion of looks and appearances within film shots is connected, even partially, to various illumination hues.
  • Knowledge Resources Informing Lighting Design Practice in Egyptian TV and Film Industry

    Matbouly, Mustafa Mahmoud Yousry Ahmed; No Collaboration; NA; 0; 0; Cinematic Arts; 0; Matbouly, Mustafa Mahmoud Yousry Ahmed (2022)
    This study investigates the knowledge resources informing television and film lighting design practice in Egypt, and the value of suggesting scientific recommendations to be followed. A questionnaire was circulated to a considerable number of professional lighting designers, lighting directors, directors of photography and cameramen working in the Egyptian media industry. Most of those addressed by the study survey indicated that their main knowledge resource during working is likely to be their own past experience and that very few of them depend on the recommendations of scientific research. Moreover, the critical analysis of the collected data illustrated that there is limited academic research in the discipline of lighting design available for Egyptian television and film practitioners to read and benefit from the generated results and findings. It was concluded that the discipline of lighting design needs more scientific research to establish a database of findings, theories, and paradigms just as any other design discipline.
  • 'Quantifying the unquantifiable: the color of cinematic lighting and its effect on audience’s impressions towards the appearance of film characters.

    Matbouly, Mustafa Mahmoud Yousry Ahmed; No Collaboration; NA; 0; 0; Cinematic Arts; 0; Matbouly, Mustafa Mahmoud Yousry Ahmed (Springer, 2022-06-01)
    This study is an attempt to investigate the ability of different colors used in cinematic lighting designs to affect audience’s impressions towards the appearance and mood of film characters. The study critically appraised existing cinematic lighting techniques and identified the two basic color groups (i.e., warm and cold colors) that should be examined in order to answer the research questions and formulate its conclusions. To provide the needed empirical evidence for this research work, some experiments with a representative sample of viewers were conducted. These experiments confirmed the existence of direct relationships between various colors of lighting and the perceived appearance and mood of film characters. Moreover, specific color hues of lighting appeared to be more effective than others in altering the perceived appearance and mood of film characters. The study concluded that audience’s perception of appearances and moods within cinematic images is linked, even in part, to different colors of lighting.

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